![]() While this is a disappointment, there are other great titles to choose from on the service. Us Again is not currently on Netflix, and it probably won’t be arriving on the platform any time soon because of rights issues. Unfortunately, fans will not want to get up and dance when they hear the news regarding the film’s Netflix availability. ![]() The well-reviewed flick was attached to theatrical prints of Raya and the Last Dragon, and since not everyone got to see that in theaters, it’s no surprise that people may be looking for the short on Netflix. The story is wonderfully unique, and the animation is nothing short of visually astounding, with CinemaBlend‘s Samantha Labat adding that “the animation is so beautiful and real that you forget you’re not looking into actual human faces.” There are so many reasons that viewers should indulge in this superbly designed and incredibly entertaining experience. Mashable writer Pramit Chatterjee gave the emotional affair a perfect rating the review described the short as follows:Ī beautifully directed and choreographed short film that features such amazing animation (The colours, the water, the bokeh shots, the skin texture, everything is mind-blowingly perfect and there’s even a Gene Kelly-Singin’ in the Rain reference) that it’ll make you wish it was a full-length feature film. Us Again follows an elderly couple who magically regain their youth in the pouring rain and dance the night away in what has been described by many as a must-watch affair. And if it is choosen then also other departments are working for this aspect ratio! I do not like later reframing.Zach Parrish’s beautiful 3D animated film Us Again has viewers talking, and many subscribers are wondering if the well-crafted endeavor with a heartfelt message is available to stream on Netflix. Why do not use the original aspect ratio? It is not only a decision of the cinematographer to choose a aspect ratio. Not a bad idea.Īnd what I really do not like is that Storaro also reframed his old work in this aspect ratio for new realeases. So it is not a netflix thing or idea, but they thought that the idea of Storaro was good and decided to use this compromise aspect ratio. Technovision and Clairmont modified some Arriflex 435 and 535 for Univisium.Īlso movies with a theatrical realease are shot in our days in this format like "Jurassic World". Mostly he shot himself in Super 35mm in 3perf. For him it was clear that the TV aspect ratio 16:9 will have sucess and that in the future many will film digital or 65mm film stock. Storaro invented the aspect ratio 1:2.00 (18:9) as a compromise. ![]() It was first used for the photography of the movie "Tango" by Carlos Saura. It is invented by DP Vittorio Storaro (Apocalypse Now and many others) in 1998. compared to the current lazy iPad remote controlled work :rolleyes: ) Technically one could letterbox the 2.35 to the dci 2048x1080 frame but I have never seen anyone use that format in real life, it may be that the post people just want to make projectionist's life easier by not adding third dcp format to the list of choices to complicate things (how did they manage in the film era or were the projectionists just more experienced back then, having to change gates and anything. less black.?Īlmost all "scope" shows are 2.39 just because that is the DCI "scope" native.Ģ.35 is talked about every now and then in preprod but all the people end up using the 2.39 anyway when the show goes to post, no one would like to leave black bars on the sides of the frame or export their show to 2k flat just because wanting that very small aspect ratio difference. isnt the correct aspect ratio 2.40-1 (3.9?). ![]() mine included have a 2.40-1 marker and a 2.35-1 marker. ![]()
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